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FilmConvert Examples

The footage below was shot simultaneously with RED ONE MX and Arri 435 cameras, with various film stocks.

  • Film footage was processed at Park Road Post and scanned at Weta Digital using an Arriscan at 4K.
  • RED footage was processed using FilmConvert software, with the approprite film stock emulation selected.

  • No other processing or grading has been applied.

    Hover over the buttons to compare the images.

    RED ONE® MX  250 ISO, T2.8, Zeiss UltraPrime 50mm
    RED ONE® MX
    RED ONE® MX
    RED with FilmConvert™
    Kodak Vision 3®


    RED ONE® MX  250 ISO, T2.8, Zeiss UltraPrime 50mm
    RED ONE® MX
    RED ONE® MX
    RED with FilmConvert™
    Kodak Vision 3®


    RED ONE® MX  250 ISO, T2.8, Zeiss UltraPrime 50mm
    RED ONE® MX
    RED ONE® MX
    RED with FilmConvert™
    Kodak Vision 3®


    RED ONE® MX  250 ISO, T2.8, Zeiss UltraPrime 50mm
    RED ONE® MX
    RED ONE® MX
    RED with FilmConvert™
    Kodak Vision 3®


    RED ONE® MX  250 ISO, T2.8, Zeiss UltraPrime 50mm
    RED ONE® MX
    RED ONE® MX
    RED with FilmConvert™
    Kodak Vision 3®


    RED ONE® MX  250 ISO, T2.8, Zeiss UltraPrime 50mm
    RED ONE® MX
    RED ONE® MX
    RED with FilmConvert™
    Kodak Vision 3®


    About / Contact Us


    'Kodak®', 'Fuji®', 'RED ONE®' and other Trade Marks are held by their respective owners.
    Individual Film Stock batch names and labels are used only for comparitive purposes to their FilmConvert equivalant.
    No authorization or endorsement of FilmConvert should be implied.