December 6th, 2012
No Film School
Not too long ago we told you about a color corrector plugin/standalone software solution from Rubber Monkey that not only tries to mimic the looks of many film stocks, but does it in a way that is particular to the exact camera you’re using. Until now the only cameras that were guaranteed to work properly with FilmConvert to achieve the specific look were Canon DSLRs and RED cameras, but now they are adding support for the Panasonic GH2, as well as support for more Canon picture profiles, and a brand new plugin for Final Cut Pro 7.
December 3rd, 2012
With the proliferation of digital video cameras, everyone has been trying to make their video footage look more like film. Assuming your camera shoots at the right frame rate and offers film-like motion blur and highlight handling, the rest gets down to grain and colorimetry. That’s where software tools and filters come in.
Nineteen stock selections are available in FilmConvert and the After Effects plug-in.
A new film stock emulation application is FilmConvert from New Zealand-based developer Rubber Monkey Software. Best known as one of the early developers of processing and rendering software for the RED ONE camera, Rubber Monkey is expanding that expertise into tools designed for a wider appeal.
September 20th, 2012
I love film.
Most of us love film.
In fact when I told my father I wanted to follow in his footsteps and become a photographer (my father was a photographer for Gamma Press, and then the Director of Photography and principle photographer for Premiere Magazine in France) more than 22 years ago – he was so against the idea, that he sent me to the 3 consecutive darkrooms over 3 summers, to try to dissuade me from my career choice…
The first summer was spent in a black and white darkroom with one of the top french master printers, named Guy Ben… the next summer was C-41 and C-41 printing… the last was at an E-6 lab, where I learned to process the film, and also Cibachrome printing… after 3 summers, he finally gave me his blessing because his efforts to dissuade me had failed…
These days, I hate to say it, but I do get frustrated when I see the Kodak ads in film trade publications. Not because I think they are wrong or irrelevant. But because I feel like they’re not only losing sight of the bigger picture (and the inevitable realities) but also ignoring the potential of what is truly out there…
September 23th, 2012
No Film School
We’ve said a lot about the digital versus film debate, and a lot of people have a lot of different opinions. Film still had a technological advantage over digital until really the last few years or so, and now we have digital sensors which can match or exceed film stocks with dynamic range. Either way, with digital sensors being “too clean” for some people who have loved the look of film, there is a program called FilmConvert that takes the color information of specific cameras and actually uses that to determine how a specific film stock could best be represented using that sensor. Click through for some videos of the program in action.