{"id":176,"date":"2016-08-03T13:42:38","date_gmt":"2016-08-03T01:42:38","guid":{"rendered":"http:\/\/filmconvert.com\/blog\/?p=176"},"modified":"2016-08-22T14:21:43","modified_gmt":"2016-08-22T02:21:43","slug":"philip-bloom-filmconvert-video-tutorial","status":"publish","type":"post","link":"https:\/\/www.filmconvert.com\/blog\/philip-bloom-filmconvert-video-tutorial\/","title":{"rendered":"Philip Bloom &#8211; FilmConvert video tutorial"},"content":{"rendered":"<p><iframe loading=\"lazy\" title=\"Philip Bloom FilmConvert Review\" src=\"https:\/\/player.vimeo.com\/video\/177303043?dnt=1&amp;app_id=122963\" width=\"750\" height=\"422\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\"><\/iframe><\/p>\n<p><a href=\"http:\/\/philipbloom.net\/blog\/\">Philip Bloom<\/a> put together this video review with footage of a recent shoot in London. He compares ungraded footage to footage graded with FilmConvert, and explains his process for creating a look, saving a preset and then applying this across footage from a range of cameras and picture styles.<\/p>\n<p>One of the special properties of FilmConvert is the <a href=\"http:\/\/www.filmconvert.com\/download\/camera-profile\">dedicated camera profiles<\/a>, that cover a range of industry-leading cameras such as the Panasonic GH4, Sony A7S MKII and up to the RED and Alexa range of professional cinema cameras.<\/p>\n<p>FilmConvert camera profiles are all created by a rigorous scientific process, including shooting standardized test charts and real-world footage at various exposure levels\u00a0to create a highly accurate representation of how the camera records light and color.<\/p>\n<p>By choosing the correct camera profile for your footage, you can easily match footage shot on different cameras and different profiles, while maintaining the consistency of your original color grade.<\/p>\n<h2>Philip Bloom&#8217;s Adobe Premiere Pro \/ FilmConvert workflow<\/h2>\n<p>Here&#8217;s how Philip Bloom describes his workflow with FilmConvert:<\/p>\n<blockquote><p>I don&#8217;t always shoot on the same camera presets; I do change things based on the situation. So what I do in Premiere Pro is use the plugin and select the camera and camera settings that I use to create the look. I always tweak my look, I will take the base film stock and change things around.<\/p>\n<p>Once I&#8217;m happy with that look, I then save it within Premiere as a preset, and for those clips which were shot on a different profile or even a different camera, I simply drag that preset onto those clips and select the camera and camera settings for that actual clip. But it will still maintain that whole look that I created previously.<\/p>\n<p>It&#8217;s made matching my shots shot on different cameras and different profiles so much easier.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Philip Bloom put together this video review with footage of a recent shoot in London. He compares ungraded footage to footage graded with FilmConvert, and explains his process for creating a look, saving a preset and then applying this across footage from a range of cameras and picture styles. One of the special properties of&hellip; <a class=\"more-link\" href=\"https:\/\/www.filmconvert.com\/blog\/philip-bloom-filmconvert-video-tutorial\/\">Continue reading <span class=\"screen-reader-text\">Philip Bloom &#8211; FilmConvert video tutorial<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":182,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[3],"tags":[7,41,6],"class_list":["post-176","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-how-tos","tag-color-grading","tag-philip-bloom","tag-workflow","entry"],"_links":{"self":[{"href":"https:\/\/www.filmconvert.com\/blog\/wp-json\/wp\/v2\/posts\/176","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filmconvert.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.filmconvert.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.filmconvert.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.filmconvert.com\/blog\/wp-json\/wp\/v2\/comments?post=176"}],"version-history":[{"count":3,"href":"https:\/\/www.filmconvert.com\/blog\/wp-json\/wp\/v2\/posts\/176\/revisions"}],"predecessor-version":[{"id":181,"href":"https:\/\/www.filmconvert.com\/blog\/wp-json\/wp\/v2\/posts\/176\/revisions\/181"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.filmconvert.com\/blog\/wp-json\/wp\/v2\/media\/182"}],"wp:attachment":[{"href":"https:\/\/www.filmconvert.com\/blog\/wp-json\/wp\/v2\/media?parent=176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.filmconvert.com\/blog\/wp-json\/wp\/v2\/categories?post=176"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.filmconvert.com\/blog\/wp-json\/wp\/v2\/tags?post=176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}