| Real Film Grain | Accurate Color Modelling | Multiple Platform Support |
| Add real grain to your footage, and render at up to 4k. Unlike other plugins that simply overlay film grain, FilmConvert realistically models the mount of grain required for each color and exposure level in your image. | FilmConvert™ models the characteristics of digital sensors, and provides a complex algorithm to transform digital footage to match your favorite film stocks. | FilmConvert is available as Stand-alone software as well as a plugin for After Effects, Premiere, Final Cut, Motion, Vegas and Photoshop. |
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| Film - Fuji Pro 160s | Digital - Canon 5D Mk II |
| Ignoring the grain for the moment, zooming in shows that the hue and saturation of the trees is quite different: | |
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| Film - Fuji Pro 160s | Digital - Canon 5D Mk II |
| Let's take an average of the colors: | |
| Film - Fuji Pro 160s | Digital - Canon 5D Mk II |
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The film trees are warmer, containing more red than the digital trees. To get the digital to match the film we should:
Now imagine performing the above analysis on every hue and saturation of the color spectrum, adding accurate grain, modeled on the grain response of the film stocks. This is FilmConvert! |
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RED with FilmConvert™ |
Kodak Vision 3® |
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RED ONE® MX
250 ISO, T2.8, Zeiss UltraPrime 50mm
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