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  • Sony ZV-E10 Camera Pack – Available Now! 📸

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FilmConvert Nitrate & CineMatch Critical Update: Premiere Pro 2022 Update
iPhone 13 Pro + GoPro Hero 10

Latest Posts

Sony FX30 Camera Pack – Available Now! 📸

December 7, 2022December 7, 2022Henessey Griffiths
FilmConvert Nitrate and CineMatch now support the Sony FX30! 📸 To get the new packs: FilmConvert users: download the new camera pack from our Camera Packs page. Read more

Nikon Z9 Camera Pack – Available Now!

November 28, 2022Henessey Griffiths
FilmConvert Nitrate and CineMatch now support the Nikon Z9! 📸 To get the new packs: FilmConvert users: download the new camera pack from our Camera Read more

Black Friday Sale – On Now!

November 21, 2022November 21, 2022Henessey Griffiths
It’s time for our biggest sale of the year! Color with confidence this Black Friday. Get 40-50% off new plugin purchases and Nitrate Read more
Great comparison shots from artvedo! -- Balade su Great comparison shots from artvedo!

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Balade sur les rives de l'Estuaire de la Gironde à Pauillac où l'on peut découvrir les carrelets.
La vidéo dans la bio.

#bmpcc4k #davinciresolve #filmconvert #canonfd #filmmaker #colorist #freelancecolorist #digitalcolorist #etalonnage #colorgrading #shortfilm #cinematography #cinematographer #createurdereve
#artfilm #artvedo
In the last instalment of our FilmConvert Nitrate In the last instalment of our FilmConvert Nitrate Walkthrough series, Nick takes us through the Secondary Controls in Nitrate! Learn about the different secondary controls FilmConvert Nitrate offers like our color wheels and saturation sliders, and how you can use them to enhance your image. Head to the link in our bio to watch! 🤩🙌

#filmconvert #filmemulation #grain #videomaking #videographer #sonya7siii
CineMatch now supports HDR workflows in Premiere P CineMatch now supports HDR workflows in Premiere Pro! 🎉

You can now color correct and match footage in HDR using CineMatch. We've added two new Output Transform options in the plug in to support the following:

Rec.2100 HLG
Rec.2100 PQ 

Our latest camera update includes support for the Dolby Vision profile on the iPhone 13 Pro, so you can match your HDR iPhone footage to other HDR-capable cameras; and take advantage of the amazing image quality available with ProRes HQ. 

Download the latest version of CineMatch for Premiere Pro from the link in our bio, and check out our workflow guide on the CineMatch site! 

#hdr #cinematch #premierepro #colorcorrection #cameramatching #colorgrade
An incredible shot from tomrobots 🌊💛 -- grit An incredible shot from tomrobots 🌊💛
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gritty_pretty MarcJacobsFragrances CotyPRAustralia #mjdaisy

CREDITS:
Art Director: sarahdalywork
Producer: nicolasevitt
Video: tomrobots
Styling: natpetrevski
H&MU: katieangusmakeupartist
Talent: alexandrajoanphillips
Filmed on canonaustralia C300mkiii and C70.
Graded in Premiere Pro with FilmConvert

#filmconvert #canon #c300mkiii #c70 #colorgrade #videoediting
Stunning visuals from rowefilms! -- The wave that Stunning visuals from rowefilms!

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The wave that nearly took him out 🌊🤣

Framegrabs from ‘The Storm’ shot on #lumixgh6

Graded with one of my custom LUT’s and finished with FilmConvert

#shotonlumix #filmconvert
Check out these insane stills from our mates over Check out these insane stills from our mates over at radlab_ 🤯🔥

#filmconvert #radlab #colorgrade #nz
In the second instalment of our FilmConvert Nitrat In the second instalment of our FilmConvert Nitrate Walkthrough series, Nick takes us through the Grain controls in Nitrate! Learn about the different grain sizes, how you can tailor your grain for your particular shot, and also why YouTube hates grain. Head to the link in our bio to watch! 🤩🙌

#filmconvert #filmemulation #grain #videomaking #videographer #sonya7siii
What a stunning landscape from zachchmael! -- Fr What a stunning landscape from zachchmael! 

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Frames from my latest travel short… This one has been in the back of my mind for a while... Every winter I spend time out in jacksonhole Resort hiking and skiing. This year is the first time I've been able to bring all of my gear and truly take the time to try and create something special.

Graded with FilmConvert

#justgoshoot #peoplescreatives #exploretocreate #optoutside #jacksonhole #kingsandqueens #bmpcc6k #djimavicpro #filmconvert #davinciresolve #travelfilmmaking #nyc #grandtetons #yellowstone #blackmagicdesign
Stunning visuals from rodrigozadro 😍 -- Color Stunning visuals from rodrigozadro 😍

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Color palette 🌈for Pao & Luis Fer
🎞️ Video Frames

#weddingcinema #lavander #jardinesdelavanda #davinciresolve #colorpalette #cineandcolor #colorpaletteinspiration #filmconvert
New year, new us! We've decided to revitalise our New year, new us! We've decided to revitalise our approach to our Instagram content. Aside from sharing your work and important software updates, we also want to create interesting discussions about filmmaking, write reviews about our favourite movies and series, share our experiences in the filmmaking world, and so much more. So keep an eye out on our stories and posts for all this exciting new content and stay tuned!
How unreal are the colors in this shot from daeild How unreal are the colors in this shot from daeildale! 🤯

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7 days of a New York to Los Angeles road trip was truly life-changing. America’s wide open land makes you realize we are just a small part of the earth we live on. It was a blessing… Excited to share stills from whitesandsnps in New Mexico, Antelope canyon in Arizona, and grandcanyonnps in Arizona. The road trip video is currently being edited😉

Beauty of these places can’t be justified through photos or videos. But we tried our best to preserve the feeling that you’d feel when you’re there by shooting highest resolution and ultra wide angle lenses. Natural light is also so gorgeous in these locations 🧡

Graded with Phantom Luts & FilmConvert// Shot on bmpcc6kpro paired with tokinacinemausa lens

#cinematography #cinematographylife #directorofphotography #cinematographers #filmconvert #colorgrade #colorgrading #davinciresolve #screengrab #natureshot #whitesandsnationalpark #antelopecanyon
Join Nick from FilmConvert in our new three part s Join Nick from FilmConvert in our new three part series, where he'll be doing a deep dive into the controls of FilmConvert Nitrate, showing you how to elevate your grading in 2022!

In this first video, Nick goes through the Film Emulations in FilmConvert Nitrate, and how you can achieve an organic analog film look for your footage. Head to the link in our bio to watch! 🤩🙌

#filmconvert #filmemulation #grain #videomaking #videographer #sonya7siii
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Short Films

Abel Robinson (Axmo Deus) – User Showcase

July 23, 2021July 23, 2021John Parker
  Give us a bit of detail about yourself – background, profession, how you got into filmmaking and your current role My name Read more

Cassius Rayner – Dead Eye

July 20, 2021

Davion Lyons – User Showcase

July 14, 2021

How-Tos

FilmConvert Nitrate & CineMatch Critical Update: Premiere Pro 2022 Update

January 6, 2022Henessey Griffiths
We have a critical update for all Premiere Pro 2022 Apple M1 users. Please download and install the latest version of FilmConvert Nitrate Read more

iPhone 13 Pro + GoPro Hero 10

November 25, 2021

Canon C500 Mark II camera pack

September 8, 2021

  • Popular
  • Comments
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Creating a real film look with FilmConvert – Jonny Elwyn

October 27, 2016

camera sensor with light streaks

How camera codecs work

September 19, 2016

debayer pattern illustration

How to get the best footage from your camera

September 19, 2016

Living on a Shoestring

Living On A Shoestring – Tamara Gabriel

September 26, 2016

The Last Mambabatok – Foster Visuals

October 26, 2016

John Parker - Creating a real film look with FilmConvert – Jonny Elwyn

Hi Micahel, thanks for your comment. That does sound like strange behavior - could you drop a line to support@filmconvert.com with a link to the footage to download so we can take a look?

Ollie Kenchington - How camera codecs work

Thanks George!

Ollie Kenchington - How to get the best footage from your camera

Hi Jason. Sorry for the confusion and thanks for your question. It is just a matter of semantics, as a "white balance card" (a card designed for white balancing from) is normally light grey. I was not meaning a white card. Grey is used for white balancing because (in most cameras) the minimum amount of signal compression occurs in the middle tonal range, so the camera can make a much more accurate reading from that region, compared to white, where the gamma curve compresses the signal more and it's more likely that one or more of your channels could be clipped. The key thing is that your white balance target is spectrally flat, reflecting all the frequencies of the light hitting it, and that you white balance in camera. I wouldn't advise using a white picker in post to fix white balance, due to the compression that occurs in camera, as discussed in the article. Hope that clears things up for you.

Michael - Creating a real film look with FilmConvert – Jonny Elwyn

Loads of handy tips thanks, one thing that has me puzzled, footage I've shot with the blackmagic pocket cinema camera when I add film convert to the clip and choose the blackmagic camera profile the clip comes out really awful ,over saturated, contrast and brightness way to much,and I have to resort to using one of the other camera profiles , Any tips as to what I might be doing wrong, this happens in both premiere pro cs6 and in premiere CC, any help appreciated. Many thanks .

Jason - How to get the best footage from your camera

Hello - could you clarify something - towards the end of the article, you reference the use of a " spectrally-flat, grey card on your shoots" and then in the conclusion you say "White balance properly in camera, using a spectrally-flat white balance card". So which is it? A white card or a grey card? I'm assuming a white card, as a grey card would only allow you adjust in post. Otherwise a very sensible argument for a different approach to image capture. Thanks

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