Alexa Mini

‘The Balkan Line’ – Russian feature film

May 21, 2019John Parker

Aleksandr Verholak started his career as a freelance colorist in Moscow in 2010, and is now based in Los Angeles. Below, he describes Read more

Romeo Elvis x Le Motel – Dessert

March 20, 2019John Parker

Olivier H Dressen – The Interview Give us a bit of detail about yourself – background, profession, how you got into filmmaking and Read more

Popular
Comments
Tags

Living On A Shoestring – Tamara Gabriel

September 26, 2016

How to get the best footage from your camera

September 19, 2016

Creating a real film look with FilmConvert – Jonny Elwyn

October 27, 2016

How camera codecs work

September 19, 2016

The Last Mambabatok – Foster Visuals

October 26, 2016

John Parker - Creating a real film look with FilmConvert – Jonny Elwyn

Hi Micahel, thanks for your comment. That does sound like strange behavior - could you drop a line to support@filmconvert.com with a link to the footage to download so we can take a look?

Ollie Kenchington - How camera codecs work

Thanks George!

Ollie Kenchington - How to get the best footage from your camera

Hi Jason. Sorry for the confusion and thanks for your question. It is just a matter of semantics, as a "white balance card" (a card designed for white balancing from) is normally light grey. I was not meaning a white card. Grey is used for white balancing because (in most cameras) the minimum amount of signal compression occurs in the middle tonal range, so the camera can make a much more accurate reading from that region, compared to white, where the gamma curve compresses the signal more and it's more likely that one or more of your channels could be clipped. The key thing is that your white balance target is spectrally flat, reflecting all the frequencies of the light hitting it, and that you white balance in camera. I wouldn't advise using a white picker in post to fix white balance, due to the compression that occurs in camera, as discussed in the article. Hope that clears things up for you.

Michael - Creating a real film look with FilmConvert – Jonny Elwyn

Loads of handy tips thanks, one thing that has me puzzled, footage I've shot with the blackmagic pocket cinema camera when I add film convert to the clip and choose the blackmagic camera profile the clip comes out really awful ,over saturated, contrast and brightness way to much,and I have to resort to using one of the other camera profiles , Any tips as to what I might be doing wrong, this happens in both premiere pro cs6 and in premiere CC, any help appreciated. Many thanks .

Jason - How to get the best footage from your camera

Hello - could you clarify something - towards the end of the article, you reference the use of a " spectrally-flat, grey card on your shoots" and then in the conclusion you say "White balance properly in camera, using a spectrally-flat white balance card". So which is it? A white card or a grey card? I'm assuming a white card, as a grey card would only allow you adjust in post. Otherwise a very sensible argument for a different approach to image capture. Thanks

1DX 4K Cinema Camera 60D 7D a6300 a7rIII A7S A7S mkii Action Aerial Alexa Mini animation Arri Blackmagic C200 camera matching Canon CGI codecs Color Grading commercial competition creative D810 davinci resolve DJI documentary dragon drama education EOS 5D mkii Epic eva1 fashion feature film filmconvert filmic pro food FS5 FS7 FS700 GH2 GH3 GH4 gh5 GH5s grain How-To Inspiration iPhone japan Landscape LOG music music video nature NEX-5N NEX-FS100 Nikon nitrate One MX Panasonic Phantom 4 philip bloom photography Pocket Cinema Camera RED review romance Ronin running scifi scopes sensors short film skin tones Sony stop motion Surfing Technical travel tutorial UI underwater Video Wedding Workflow Z 6

Purchase FilmConvert Today