sort results by
Sony A7s, KD 5213 Vis3
To a Distant Plain

Music video for We Raise Bears coming single. Loosely based on the Milgram Experiment: a series of psychological experiments on obedience to authority figures conducted in the 60s.

By José Miguel Jiménez
Canon C100, KD P400 Ptra
KNOWER - Overtime

KNOWER is one of the most vital and energetic dance/electronic groups in the world, so it was imperative for me as an editor to have a performance video that felt nothing like the average performance video, something that felt every bit as colorful and dizzying as the band itself. In order to do this, I decided to employ a number of 60's experimental film techniques, namely splitscreen and variable frame rates, but without upsetting the integrity of the performance by using shots from different parts of the set or doctoring performances. It was shot with five cameras running simultaneously, and every cut and corner of the frame is real time, down to the last note. FilmConvert™ was a huge part of that - not only was I able to very easily create a unique color and lighting scheme for each camera, but I could also really push the limits of each angle without ever encountering artifacts or crashing the software. And I was really pushing it, too! Each angle was saturated at 200% with highli

By Soren Persing
Canon 5D Mk III, FJ Velvia 100

A music video revolving around the theme of betrayal, murder and heartbreak. TECH STUFF Camera: Canon 5Dmk iii (ML firmware) Lens: Samyang 85mm/50mm/24mm T1.5 Filter: Tiffen Black Pro Mist 1/2, Tiffen Black Pro Mist 1/4, Syrp Variable ND Colour Grading: After Effects (VisionColor Impulz LUTs, and Filmconvert) Processing: VisionLOG RAW

By Sean O'Neill
Canon 5D Mark III, FJ 8553 ET
MoSS ft. Eternia | DAY & NIGHT | **OFFICIAL MUSIC VIDEO** | FilmConvert

After 5 years since their Fat Beats full length debut, Eternia & MoSS return with "Day & Night". Featured on MoSS's album "Marching to the Sound of My Own Drum", MoSS provides a hypnotizing and haunting sonic backdrop as Eternia struggles between spirit and flesh in her signature soul-excavating style. "Day & Night" explores the war going on inside every person, for "what I want to do I do not do, but what I hate I do" (St. Paul). The outcome of the battle is left unknown, as Eternia's chorus prays, "Don't let the sun set on me..." Director Ian Johnson cinematically explores themes of darkness vs. light, lust, and the multiplicity of one being. The visuals, as hypnotizing as MoSS's production, also pays homage to MoSS's psychedelic classic rock musicality in the colouring, editing, and aesthetic styling.

By Ian Johnson
Blackmagic Pocket Cinema Camera, FJ 8543 VD
Cinema Hearts - I Want You (But I Don’t Need You) - Official Music Video

Cinema Hearts official video for "I Want You (But I Don't Need You)" Directed by Bradley Howard, Produced by Caroline Weinroth, thanks to all who participated.

By Bradley Howard
Canon 7D Mark II, FJ 8563 RL
Camping at Big River

This is just a video I filmed while I was away with some friends at Big River in Victoria, Australia Colour corrected and graded in Premier Pro using FilmConvert. The music is "The Exit" by Lydia

By Haydn Dare