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Canon 6D, FJ Velv 100
FilmConvert - Classic Santa Monica

All footage is new and original. Photographs courtesy of the Santa Monica Pier Restoration Corporation. Shot on the Canon 6D. Edited with Final Cut Pro. Colored using FilmConvert Pro Trial (FJ Velv 100).

By Sharif Matar
Canon 5D Mark II, and Canon 60D, KD 5207 Vis3
A Day in San Francisco- FilmConvert BW Version

I took my original short film that I shot in San Francisco about 1 year and brought it into FilmConvert ( for a re-grade. I really love the way this software makes digitally shot footage looks. It's pretty much the most accurate way to emulate 35mm or 16mm filmstock. As far as cameras go I shot this on the Canon 60d (some shots on the 5D Mark II) and 24-105mmL F4 IS lens with a Zacuto Z-Finder, and no tripod. I really like this version more than the original.

I suggest you download the original film to fully appreciate the emulsion and grain as Vimeo's compression ruins a lot of the magic!

Music composed for this piece by Jamie Harper

Watch the original video here:

By Krishan Bansal
RED Scarlet-X, Kd 5213 Vis3
Marty Knapp - Portrait of a Photographer (4K - FilmConvert)

This short profile film on Marty Knapp is a personal project. Marty has been photographing the landscapes of Northern California and the surrounding areas near Point Reyes for over 25 years. His work portrays the coastal wilderness area in the classic manner of the great American landscape photographer.

*To view the film in 4k Resolution: select "Original" in the Quality settings.

For more on Marty Knapp visit:

Director: Logan Kelsey

Camera: RED Scarlet-X
Editing: Final Cut Pro X
Film Stock Emulator: FilmConvert

Music composed and scored by: Dexter Britain

By Logan Kelsey
Sony FS700EK, KD 5207 Vis3
Urlaub auf Langeoog - FilmConvert

Urlaub auf einer Nordsee Insel ist eine Erholung für die Seele. Diese Momente wurden in einmaligen Bildern aufgenommen und spiegelt das Urlaubsleben auf Langeoog wieder. Endspannung, Natur und Freiheit.

By Christian Lehrke
5d mk ii, IL Fn P4
5D MKII Raw with Film Convert

Raw video on 5d2 is amazing!!! Shooting raw dramatically improves the detail and dynamic range in each shot. Looking at theDNG files on Photoshop will blow your mind. Being able to color correct these clips with so much freedom is so refreshing. The quality of RAW files compared to the super compressed .H264 files is night and day.

Even though the new raw feature in magic lantern is great, there are some things that need to be fixed in order for this feature to be more reliable. Overall it has been an amazing experience shooting RAW and I have faith that Magic Lantern will improve this feature so that it is more usable in real world situations.

This is a step by step list that helped me with my workflow:

shot on 5d mark ii using a canon FD 70-210mm lens
Color Corrected in Photoshop CS6
Color Graded using Film Convert

By Omar Torres
Nikon D7100, KD 5207 Vis3
Gracias (Que Nada Te Detenga) Filmconvert

Este vídeo va dedicado a mi papá... Y todos los demás padres.
This video goes dedicated to my father... And all the other fathers.

Shot on Nikon D7100

Filmación: Matías Rispau & Juan Lopez
Música: Boris C.Q.

By Matias Rispau
5DII, KD 5207 Vis3
Nature, You So Crazy. Vol. 1: A Snail Eats A Thing (A FilmConvert Project)

Shot with a Canon 5D2 with Tamron APS-C 60m Macro lens
Lit using The Kick from Rift Labs (
Audio: "hydroscope" by Gallery Six (
Graded with FilmConvert Pro in AE

By Chris Curl
Red Epic #04477, FJ 8553 ET
Didcot Railway Centre (Graded with Film Convert)

I took a trip to Didcot Railway Centre in Oxfordshire hoping to get some interesting shots. I was in luck as some of the staff were being trained to drive a little loco. Probably one of the most pleasant afternoons I have ever spent!

This film was graded using the awesome Film Convert software which turns red footage in to something really special! The music is from

Camera - Red Epic
Lenses - Canon 100-400mm L Series, Olympus Zuiko 16mm + 50mm primes.

My setup was very simple. The Epic had the battery side grip and a 5" monitor + a few Red Volt batteries and 3 X 128gb mags. I also had a carbon fibre Manfrotto tripod which is both light and strong. The Epic is surprisingly easy to use and despite filming in 5K the footage is easy to edit and grade!

By Greg Harris
Sony FS100, FJ 8543 VD
Chevrolet Impala - Sony FS100 with Film Convert

My brother bought this sweet Chevrolet Impala from 1971 a while back and ever since we wanted to make a video with it. It's such a beautiful car, that you just have to do something with on film.
We're playing with the idea of creating a longer narrative project with a story and I wanted to test out some shots/styles, mainly driving shots from the outside.
I sort of missed the first wave of the Film Convert hype, but I just bought the Plugin for FCP X and it is really lovely. It takes the Sony FS100 digital look completely out of the image and makes it very organic. I've been playing with different looks, but I quite like the one in this video (Details at the end).
I used the fabulous F&V Lighting Z180s to light my brother inside the car. I used the diffusion filter with the CTO to create a warm hair light and just added some fill from the front to expose him more against the background.

For these shots and the edit, I am rather inspired by the "Supe

By Phil Arntz