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Lumix GH2, Fuji 8563 RL
Missy & Earl // Testing FilmConvert

We like FilmConvert, but love Missy and Earl!

Besides producing films for clients, we regularly make short films, tutorials and production experimental videos that appear on our Panvista TV page -

The purpose of this film was to try out some new software in the editing phase. We love creating a film look to our work and have a huge interest in the colour process of digital video. We were lucky enough to get our hands on FilmConvert, a new plugin tool which give's digital camera footage the colour and grain of popular film stocks - By using this tool, we were able to generate the popular Fuji 8563 RL film stock to our GH2 footage filmed in the 'nostalgic' preset.

This film has helped us understand what can be done with FilmConvert, and can now be implemented, if needed, in our future work for clients.

By Ian
Juelz On The Beat Mini Doc. (FILM CONVERT)

Juelz On The Beat Mini Doc. (COMPLETE)

By Serge Taveras
Sony NEX 5, Varied. I used different stocks especially around 6:11
Michael Montero: A Trumpeter (FILM CONVERT)

This is a brief overview run and gun style Mini-mentory study on teenage musician Michael Montero. Best if watch in HD in full screen since You Tube adds black bars on the aspect ratio. Shot on a Sony NEX 5 and Film Convert. Serge Taveras Jack Of All Trades Jonny Peña B-Camera Casey Brown Interviewer

By Serge Taveras
550d, KD 5207 Vis3
No Mans Land (Film Convert Test)

Went out and filmed my brother dicking about in a field due to boredom and the need for fresh air.

The local park is called no mans land, and the sun was quite beautiful.
Shot on my trusty 550d


'Little Army' by Sea Oleena

The light leaks used in this video can be found here:

By Andrew Clunie
Canon 5D Markiii, GoPro Hero 3 Black Edition, FJ 8543 VD, FJ SuperX400, KS5207 Vis3, FJ8553 ET
OBX (FilmConvert Demonstration)

This project was created as a demonstration of FilmConvert software. The software does an amazing job of emulation not only of film grain, but also the film stocks colorimetry. What makes it even richer is that the emulation is also based on the color profile of the aquisition device. This allowed me to use 4 different "film stocks" - giving me greater artistic control over the final look and feel of the finished piece. Very cool.

About the setting:
OBX is the abbreviation given to North Carolina's Outer Banks. Here in the states, the abbreviation has appeared as bumper stickers on cars. I recently spent a couple of weeks on the Outer Banks. I had forgotten what an amazing beautiful place it is.

• FilmConvert (FJ 8543 VD, FJ SuperX400, KS5207 Vis3, FJ8553 ET)
• Adobe Premiere CC

• Canon 5d Mark iii
• GoPro Hero 3, Black Edition

By Marty Hardin
Lumix GH2, FJ 8553 ET
A Boy and His Bike

Submission for Film Converts 2013 competition

By Tommy Davis
Canon EOS 600D, KD P400, FJ Prov 100, FJ SperX400, FJ8543
I see you move - Film Convert

There is no story and script. It is a collage of of how we move, in different medium, in different places across the world.

Shot on Canon EOS 600D, graded in Film Convert Pro and edited in Final Cut Pro X.

By Shantanu Sinha
550d, FJ SuperX 400
Journey to Karpaty, Ukraine (FilmConvert)

Shot during our journey to Karpaty, Ukraine. All shots were handheld. Some parts of the footage may be shacky (because of bad road situation in Ukraine and crop factor). The natural look of Karpaty mountains is still gorgeous.
Edited in Premiere Pro CS6, than graded with FilmConvert plugin for PP (FJ SuperX 400, Color 100%, Grain 50%) and sharpned up. Shot on 550d with 50 mm f/1.8, Samyang 14 mm f/2.8. I was using auto WB, standard picture profile. Also, i was using Magic lantern to get more bitrate. So thank you Magic Lantern team for that possibility
Music presented by MusicBed (

Follow me on:,

By Alex Tybin
Lumix GH3, KD 5207 Vis3
Ad Libris - The Art of binding (FilmConvert)

Camera : Lumix GH3 & Leica R lenses (Elmarit 24mm f2.8, Summicron 50mm f2, Elmarit 90mm f2.8).
Editing : Adobe Premiere Pro
GRading : FilmConvert

Prior to being a source of knowledge and emotions for those who will read it, the book is only a pile of leaves, which will find its final shape in the hands of the bookbinder, whose art convenes the needle's tip, paper's rustling and smells of leathers.


Avant d'être une source de savoir et d'émotions pour celui qui le lira, le livre n'est d'abord qu'un tas de feuilles, qui ne trouvera sa forme pérenne qu'entre les mains du relieur, dont l'art convoque la pointe de l'aiguille, le frémissement du papier et les odeurs de cuirs.

Hier lectrice, aujourd'hui relieuse et restauratrice de livres anciens, Frédérique Navereau a décidé de se mettre au service de l'objet livre, en lui dédiant sa vie professionnelle.
A travers ce film, j'ai voulu tém

Canon 5D Mark II, and Canon 60D, KD 5207 Vis3
A Day in San Francisco- FilmConvert BW Version

I took my original short film that I shot in San Francisco about 1 year and brought it into FilmConvert ( for a re-grade. I really love the way this software makes digitally shot footage looks. It's pretty much the most accurate way to emulate 35mm or 16mm filmstock. As far as cameras go I shot this on the Canon 60d (some shots on the 5D Mark II) and 24-105mmL F4 IS lens with a Zacuto Z-Finder, and no tripod. I really like this version more than the original.

I suggest you download the original film to fully appreciate the emulsion and grain as Vimeo's compression ruins a lot of the magic!

Music composed for this piece by Jamie Harper

Watch the original video here:

By Krishan Bansal
RED Scarlet-X, Kd 5213 Vis3
Marty Knapp - Portrait of a Photographer (4K - FilmConvert)

This short profile film on Marty Knapp is a personal project. Marty has been photographing the landscapes of Northern California and the surrounding areas near Point Reyes for over 25 years. His work portrays the coastal wilderness area in the classic manner of the great American landscape photographer.

*To view the film in 4k Resolution: select "Original" in the Quality settings.

For more on Marty Knapp visit:

Director: Logan Kelsey

Camera: RED Scarlet-X
Editing: Final Cut Pro X
Film Stock Emulator: FilmConvert

Music composed and scored by: Dexter Britain

By Logan Kelsey
RED Epic, KD 5207 Vis3

This footage was all shot on the RED EpicX with Nikon and Tokina lenses on Inishark and Inishbofin, Ireland this summer of 2013. The original footage is also posted here, but this was processed using FilmConvert software in Premiere Pro using the Kodak 5207 setting. Music was performed by local musicians contracted for the larger project, Cultural Landscapes of the Irish Coast. This was originally put together for the locals to see what we did with our time there, so various people show up in shots for the fun of it, like Tommy Burke's knee!

By William Donaruma
5d mk ii, IL Fn P4
5D MKII Raw with Film Convert

Raw video on 5d2 is amazing!!! Shooting raw dramatically improves the detail and dynamic range in each shot. Looking at theDNG files on Photoshop will blow your mind. Being able to color correct these clips with so much freedom is so refreshing. The quality of RAW files compared to the super compressed .H264 files is night and day.

Even though the new raw feature in magic lantern is great, there are some things that need to be fixed in order for this feature to be more reliable. Overall it has been an amazing experience shooting RAW and I have faith that Magic Lantern will improve this feature so that it is more usable in real world situations.

This is a step by step list that helped me with my workflow:

shot on 5d mark ii using a canon FD 70-210mm lens
Color Corrected in Photoshop CS6
Color Graded using Film Convert

By Omar Torres
Nikon D7100, KD 5207 Vis3
Gracias (Que Nada Te Detenga) Filmconvert

Este vídeo va dedicado a mi papá... Y todos los demás padres.
This video goes dedicated to my father... And all the other fathers.

Shot on Nikon D7100

Filmación: Matías Rispau & Juan Lopez
Música: Boris C.Q.

By Matias Rispau
5DII, KD 5207 Vis3
Nature, You So Crazy. Vol. 1: A Snail Eats A Thing (A FilmConvert Project)

Shot with a Canon 5D2 with Tamron APS-C 60m Macro lens
Lit using The Kick from Rift Labs (
Audio: "hydroscope" by Gallery Six (
Graded with FilmConvert Pro in AE

By Chris Curl
Red Epic #04477, FJ 8553 ET
Didcot Railway Centre (Graded with Film Convert)

I took a trip to Didcot Railway Centre in Oxfordshire hoping to get some interesting shots. I was in luck as some of the staff were being trained to drive a little loco. Probably one of the most pleasant afternoons I have ever spent!

This film was graded using the awesome Film Convert software which turns red footage in to something really special! The music is from

Camera - Red Epic
Lenses - Canon 100-400mm L Series, Olympus Zuiko 16mm + 50mm primes.

My setup was very simple. The Epic had the battery side grip and a 5" monitor + a few Red Volt batteries and 3 X 128gb mags. I also had a carbon fibre Manfrotto tripod which is both light and strong. The Epic is surprisingly easy to use and despite filming in 5K the footage is easy to edit and grade!

By Greg Harris
Sony FS100, FJ 8543 VD
Chevrolet Impala - Sony FS100 with Film Convert

My brother bought this sweet Chevrolet Impala from 1971 a while back and ever since we wanted to make a video with it. It's such a beautiful car, that you just have to do something with on film.
We're playing with the idea of creating a longer narrative project with a story and I wanted to test out some shots/styles, mainly driving shots from the outside.
I sort of missed the first wave of the Film Convert hype, but I just bought the Plugin for FCP X and it is really lovely. It takes the Sony FS100 digital look completely out of the image and makes it very organic. I've been playing with different looks, but I quite like the one in this video (Details at the end).
I used the fabulous F&V Lighting Z180s to light my brother inside the car. I used the diffusion filter with the CTO to create a warm hair light and just added some fill from the front to expose him more against the background.

For these shots and the edit, I am rather inspired by the "Supe

By Phil Arntz