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Sony a6000, KD 5207 Vis3
The North West

Travel Video shot in Denmark Equipment: Sony a6000 Software: Davinci Reolve 15 Filmconvert Check out my other stuff on Youtube: https://www.youtube.com/channel/UCn-IDz3gE7PvP_nyghehVsQ Instagram: www.instagram.com/milan_arius

By Milan Arius
blackmagic pocket cinema camera 6K, KD 5207 Vis3
Cinematography Reel | Florent Piovesan | Of Two Lands

Here is a collection of shots that I captured over the past few years. Feeling so lucky that I got to get involved in so many different projects around the world. This reel includes both commercial and personal projects and features the shots that I am most proud of wether it is for composition, colour, movement or simply location. Cameras used : BMPCC6K Canon C200 BMPCC4K DJI Mavic 2 Pro Canon C100 MK II Original BMPCC Canon 5D Mark III Locations: New Zealand, Japan, Greenland, Shanghai, Rome, Hawaii, French Alps, Iceland, New York City, Sydney and Tasmania

By Florent Piovesan
Panasonic Lumix GH5, KD 5207 Vis3
Crossfit Eastside Classic Winter 2020

Video I realized for the Crossfit competition East Side Classic Winter Edition 2020 in Sherbrooke in collaboration with Fonctions Optimum & l'Usine Crossfit Sherbrooke. First time ever using the FilmConvert Nitrate Plugin and I loved it. The plugin is really more than just a simple lut applied to your footage. I used the KD 5207 Vis3 film stock with the GH5 Cine-D color profile ! Camera : Panasonic GH5 Lenses : Sigma 18-35mm f/1.8 & Tamron 24-70mm F/2.8 G2

By Gabriel Larkin
Canon EOS 5D2, KD 5207 Vis3
Conatus

CONATUS is the name of the power that makes us act and strive moves our bodies according to their affinity. It also moves a couple through this short film, back together and apart. Walking the thin line between romance and trespass we have to ask ourselves: Don´t we all call things good, because we secretly want to do them? Go ahead and find the rhythm of your love. And give me the death that I need. Baby. The film explores the topic of the female dead body and how it is shown on screen: exposed, conventionally attractive and sexualized despite its lifelessness. Growing increasingly frustrated with this passive depiction, the director chose to revive the dead woman, so she could speak her mind and regain some agency.

By Sophie Stadler
Red Gemini, KD 5207 Vis3
Littering

Throw your rubbish in the bin or else the Boogie Men will chuck you in. Littering is about two Aussie blokes from the 70's trying to get rid of their trash.

By Kerry
Canon EOS 5D3, KD 5207 Vis3
Do no harm

Shot in just one day and using FilmConvert for color-grading, this touching film is about the tragedy of a young life lost, opportunities missed and the need for “attention, attention (to be) paid”. Ami, 30’s, visits his severely ill brother, Lavi in hospital. Lavi is terrified and the two share a most meaningful hug. Ami barely notices the negligence that his brother continuously suffers and when he arrives later at night Lavi is no longer there. Discovering Lavi’s notes left behind, Ami is left with a choice as to how to deal with his legacy...

By Gabriel Horn
Panasonic GH4, KD 5207 Vis3
Free "Anthony Paul"

This music video is for Cleveland, Ohio recording artist and The Voice contestant Anthony Paul. Anthony and 3 of the member's of the video team for this video grew up in Twinsburg, Ohio. Each of them moved to Los Angeles separately but linked up after a few months to shoot this video for Anthony. The song, "Free", carries a message of freeing yourself to achieve your goals. The visuals of the video and the choreography go hand and hand starting in black and white on a background with a deep white abyss. The song slowly transitions to a colorful "freeing" mountain landscape. As a team, we looked to no software other than Film Convert to finish off this video and give it the look we imagined.

By Logan Powaski
panasonic eva/sony a7sii, KD 5207 Vis3
Jessica | Andrew

Dominican Republic! What a trip and what a pleasure to be able to bring along the Super 8 and shoot some film. The way FilmConvert is able to take the digital edge off our other cameras and help them blend with the film is damn lovely. If chosen, we are more than happy to take a final pass at the film to grade it even more cohesively as well as break down our workflow. We hope you enjoy and thanks for watching!

By Grimace Films (Graham Lovelis)
panasonic eva/sony a7sii, KD 5207 Vis3
Neil |Amal

Hey! We just wrapped up this badass Indian wedding here in Santa Monica and the way FilmConvert is able to bring all these wonderful colors to life is magic! It truly helps me as an amateur colorist blend everything together and feel cohesive. I almost always use it as a final pass. The film is actually still a rough cut and it will have titles, a final pass for color, and volume adjustments. Other than that, enjoy a truly special couple and all the vibrant scenery and characters that come with the Santa Monica boardwalk. Cheers!

By Grimace Films (Graham Lovelis)
A7iii, KD 5207 Vis3
Allan Myers // 80th Anniversary

Allan Myers reached out about creating a film for their 80th Anniversary Party. This became an opportunity to showcase the company, from the smallest of tasks to the largest of job sites.

By Houston Raef
A7iii, KD 5207 Vis3
Sarah + Keven // Cayman Island Destination Wedding

This wedding was unlike anything else I've done. This wasn't just a "show up and record" kind of day. I spent a full week in the Cayman Islands with these two and their closest family and friends, and by the end of it left feeling like more a part of the family than a "vendor". Their story is also a special one. They met as kids at Morritts resort in the Cayman Islands, and decided to have their intimate wedding back where it all began.

By Houston Raef
A7iii, KD 5207 Vis3
Erin + Greg // Stormy Wedding in Ault Park

Erin and Greg had such a positive attitude towards the rain on their wedding day. After packing up all of my equipment, the rain picked back up and gave me the urge to get creative. I set up a light outside (covered with a plastic bag), went back inside and told them to "trust me". A few months later when I delivered the film, Erin wrote in her review: "One of my favorite moments from the wedding was when Houston pulled us aside and told us an idea he had - to shoot us slow dancing in the rain. The end product of his idea is something we will cherish forever. Taking time to soak (literally) everything in, to slow down, and dance in the storm with my husband was truly magic and defined the evening for us."

By Houston Raef