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Lumix GH3 FILM CONVERT, kodad vision
SUNDAY (Film convert)

By Ignacio Ortega
Blackmagic Cinema Camera, FJ Velv 100
Chef PJ Stalteri (Blackmagic & FilmConvert)

I shot this for a client - it's a profile video of Chef PJ Stalteri. This video is a quick teaser for the final profile video completed in April using a BMCC, DaVinci, FCPX

By wilfredo
Nikon 800, Sony
I'm The Shit 'FilmConvert'

Official Music Video feat. Amadscientist

By Walfredo Alvarez
Blackmagic Cinema Camera, KD 5207 Vis3 & FJ Velv 100
eGarage's "The Freak" (Blackmagic & FilmConvert)

I shot some short clips of the car known as the "Freak". It's owned by eGarage co-founder Nick Jimenez. Located in Redwood City, Ca. I used FCPX to edit and FilmConvert to grade the footage and give it a look. I also used MotionVFX's mFlare.

By wilfredo
Blackmagic Cinema Camera, FJ Velv 100
The Bay (2.5k Blackmagic & FilmConvert)

"The Bay" is a short film that highlights some of the most iconic points of interest in San Francisco aka The Bay. Shot on a Blackmagic Cinema Camera. Edited in FCPX. Graded with FilmConvert using Film Stock FJ Velv 100.

By wilfredo
Canon 6D, FJ Velv 100
FilmConvert - Classic Santa Monica

All footage is new and original. Photographs courtesy of the Santa Monica Pier Restoration Corporation. Shot on the Canon 6D. Edited with Final Cut Pro. Colored using FilmConvert Pro Trial (FJ Velv 100).

By Sharif Matar
Canon 5D II, KD 5207 Vis3
Útidúr - Vultures (Color FilmConvert)

Last January we filmed with our good friends in Útidúr outside of Reykjavik Iceland. Like everything in Iceland it was an amazing, although extremely cold experience!

Video created by: Salazar
Girl: Katrín Helga Andrésdóttir
Stylist: Katrín Þóra Bragadóttir

Get Útidúr's CD here:
shop.recordrecords.is/
Detour on Itunes:
itunes.apple.com/us/album/detour/id634968203

utidur.com
salazarfilm.com

By Nathan Drillot
RED Scarlet-X, Kd 5213 Vis3
Marty Knapp - Portrait of a Photographer (4K - FilmConvert)

This short profile film on Marty Knapp is a personal project. Marty has been photographing the landscapes of Northern California and the surrounding areas near Point Reyes for over 25 years. His work portrays the coastal wilderness area in the classic manner of the great American landscape photographer.

*To view the film in 4k Resolution: select "Original" in the Quality settings.

For more on Marty Knapp visit:
http://www.martyknapp.com

Director: Logan Kelsey
http://www.verticalonline.com

Camera: RED Scarlet-X
Editing: Final Cut Pro X
Film Stock Emulator: FilmConvert

Music composed and scored by: Dexter Britain
http://www.dexterbritain.co.uk

By Logan Kelsey
Canon 6D, IL FN FP
MOOD - FilmConvert

A film test with top model Stephane Olivier during the photo shooting for Mode à Paris Playing with the Cinemorph from VidAtlantic Miami : DC : LA Mostly handled camera and photo tripod

By Marco Tessarolo
Canon 5D mark III, KD TMx 100
"The way you look at me" - FilmConvert

Ana Maria Cajner from Women Management

By Marco Tessarolo
Canon 6D, FJ Velv 100
"ça va sans dire" - FilmConvert

"Divertissement" video during the photo shooting for Mode à Paris Playing with the Cinemorph from VidAtlantic Miami : DC : LA Many thanks to the models: Benjamin Emmett : Sébastian Ransan Mostly handled camera and photo tripod

By Marco Tessarolo
Sony FS700EK, KD 5207 Vis3
Urlaub auf Langeoog - FilmConvert

Urlaub auf einer Nordsee Insel ist eine Erholung für die Seele. Diese Momente wurden in einmaligen Bildern aufgenommen und spiegelt das Urlaubsleben auf Langeoog wieder. Endspannung, Natur und Freiheit.

By Christian Lehrke
5d mk ii, IL Fn P4
5D MKII Raw with Film Convert

Raw video on 5d2 is amazing!!! Shooting raw dramatically improves the detail and dynamic range in each shot. Looking at theDNG files on Photoshop will blow your mind. Being able to color correct these clips with so much freedom is so refreshing. The quality of RAW files compared to the super compressed .H264 files is night and day.

Even though the new raw feature in magic lantern is great, there are some things that need to be fixed in order for this feature to be more reliable. Overall it has been an amazing experience shooting RAW and I have faith that Magic Lantern will improve this feature so that it is more usable in real world situations.

This is a step by step list that helped me with my workflow: http://www.cinema5d.com/?p=18065

shot on 5d mark ii using a canon FD 70-210mm lens
Color Corrected in Photoshop CS6
Color Graded using Film Convert

By Omar Torres
Panasonic GH2, FJ 8543 VD
G O L D E N / S O U L - FilmConvert

"The TV screens, the magazines scream at you like the dogs of hell
advertising and advising you to be anyone but your beautiful self. So
block your ears, close your eyes remember that you're a golden soul
fallen from the boring, heartless Hollywood heard of lies that they call: Beautiful"

- Patrick Flynn



Music: Varðeldur, Sigur Rós

By Jorge Cuevas
canon 600D, FJ 8543 VD
FilmConvert Wedding Ravello Stephanie & Marc

Wedding Day Stephanie & Marc
Location: Villa Cimbrone - Ravello Italy
Photographers: Mauro Pozzer and Roberto Panciatici
Camera 2 & Art Direction: Cassiana Castagna
Videographer & Post production: Fabiano Dib Simão
Music: Amor em Paz - Once I Loved - Tom Jobim

By Fabi
Sony FS100, FJ 8543 VD
Chevrolet Impala - Sony FS100 with Film Convert

My brother bought this sweet Chevrolet Impala from 1971 a while back and ever since we wanted to make a video with it. It's such a beautiful car, that you just have to do something with on film.
We're playing with the idea of creating a longer narrative project with a story and I wanted to test out some shots/styles, mainly driving shots from the outside.
I sort of missed the first wave of the Film Convert hype, but I just bought the Plugin for FCP X and it is really lovely. It takes the Sony FS100 digital look completely out of the image and makes it very organic. I've been playing with different looks, but I quite like the one in this video (Details at the end).
I used the fabulous F&V Lighting Z180s to light my brother inside the car. I used the diffusion filter with the CTO to create a warm hair light and just added some fill from the front to expose him more against the background.

For these shots and the edit, I am rather inspired by the "Supe

By Phil Arntz