Here at FilmConvert HQ we’ve been working hard to get the iPhone 12 Pro into the World’s best camera matching software – CineMatch. While we were at it, we thought we’d try to answer a question that has been plaguing the internet for millennia – can you make an iPhone look like an Alexa? Now… Continue reading Matching an iPhone 12 to an ARRI
Category: How-Tos
Learn more about the art of color, film emulation and grain
CineMatch v1.05 out now!
CineMatch v1.05 is available now for Adobe Premiere Pro and DaVinci Resolve. Release Notes LUT Export enabled – LUTs can be exported with your match settings to be used on set Premiere Pro: standard controls added and numeric input enabled for controls This update will overwrite any previously installed version, so we do not recommend upgrading… Continue reading CineMatch v1.05 out now!
Sigma fp camera pack
The Sigma fp came out of the blue, from a company better know for its line of affordable, high-quality video and stills lenses. But Sigma’s take on an entirely new line of camera systems has top-of-the-line specs, packed into the smallest and lightest full-frame camera body available. The Sigma fp is part of the L-Mount… Continue reading Sigma fp camera pack
CineMatch v1.03 available now!
CineMatch v1.03 is available now for Adobe Premiere Pro and DaVinci Resolve. The latest update adds support for the Sony ZV-1, as well as a host of other updates: Added support for Sony AVCHD & XAVC S codec decoding inconsistencies in Adobe Premiere Pro Fixed URSA MINI PRO Gen 4 profile Improved DJI X5S profile… Continue reading CineMatch v1.03 available now!
Introducing CineMatch – camera matching made easy
FilmConvert is thrilled to announce the launch of CineMatch, our new camera matching workflow solution. CineMatch is the fastest, easiest and most accurate camera matching solution available today. CineMatch is designed for all filmmakers working on multi-camera projects who have to deal with the painstaking task of matching cameras in post. Every… Continue reading Introducing CineMatch – camera matching made easy
FilmConvert Nitrate for ACES Workflow
ACES is a color-management system built into DaVinci Resolve and some other high-end VFX and compositing tools. It’s designed to convert all your footage from various origins to a single neutral working space to make compositing and VFX integration more efficient, and maintain color consistency throughout your grading and deliverables. FilmConvert doesn’t have dedicated ACES… Continue reading FilmConvert Nitrate for ACES Workflow
FilmConvert Panasonic S1H Camera Profile
Panasonic New Zealand was generous enough to lend us the new Panasonic S1H for profiling, so we took it to the Zealandia Ecosanctuary in Wellington, New Zealand, near FilmConvert HQ, to test it out. The FilmConvert camera pack for the Panasonic S1H is available for free to download from www.filmconvert.com/camera-packs. The camera pack is compatible… Continue reading FilmConvert Panasonic S1H Camera Profile
FilmConvert Nitrate upgrade process info
FilmConvert Nitrate is available for trial download and purchase from September 3rd. Existing FilmConvert owners will be eligible for a special discount to upgrade to the new version. If you don’t already own FilmConvert, every new purchase will give you a free upgrade to the Nitrate features when they become available for your platform –… Continue reading FilmConvert Nitrate upgrade process info
FilmConvert Nitrate previews – Gerald Undone
FilmConvert Nitrate will be launched soon, and we have the first reviews in from users who have had a chance to use the beta versions!
FilmConvert Nitrate coming soon
FilmConvert is excited the first major upgrade to the FilmConvert film emulation solution – codenamed ‘Nitrate’. Nitrate – Key Points Print density film emulations – we’re unleashing the full resolution and color depth of our original raw film scans to give users the ability to work print density film emulations. Preserve all your image detail,… Continue reading FilmConvert Nitrate coming soon