Love to Paradise – User Showcase
Interview – Julian Galea How did you start out in filmmaking? I grew in Sydney, Australia with three brothers and immigrant parents from
Read more
Color Grading
‘Gonna Stop Killing’ by Carla Bozulich
Martijn Rijnberg – The Interview I have used my background in molecular biology to create scientific animations for quite a while, but I
Read more
What camera settings should I use with FilmConvert?
We get a lot of questions from users about what camera settings you should use to get the best look out of your
Read more
How to get the best footage from your camera
In my previous post, I discussed how camera sensors capture light and how the processor then compresses this information, before writing it to
Read more
How camera codecs work
The richness and clarity that modern-day camera sensors can produce is just astounding. But while sensor technology has come on in leaps and
Read more
How to nail your skin tones in FilmConvert
Dan McComb is a veteran colorist and editor, based in Seattle, WA. Dan has been a long-time FilmConvert user, and when we contacted him
Read more
Delicious Cinema, ‘Heritage’
Gab Tarabously is the cinematic mind behind Delicious Cinema, a production company that highlights the world of food and the people who passionately
Read more
Philip Bloom – FilmConvert video tutorial
Philip Bloom put together this video review with footage of a recent shoot in London. He compares ungraded footage to footage graded with
Read more
The San Diego Highwayman – Foster Visuals
FilmConvert Settings Canon 5D MKIII, Cinestyle/Flat FJ 8553 ET film stock Grain: 10-20%, 35mm full frame Color: 70-80% Brent Foster – The Interview
Read more
5 Reasons to use FilmConvert – LUTs
5 Reasons to Love FilmConvert – LUTs In this post by our friends at Story & Heart, Justin Demers delves into one particular reason
Read more